Movement, in Çınar’s paintings, is not merely a visible act; it is a state of being felt through the vibration of color, the flow of marks, and the tension of space. His works may begin with the figure, but they quickly transcend it because the body is only a spark, while the true energy lies within the paint itself. At first glance, the viewer does not encounter a representational form, but is drawn instead into the rhythm of the surface, into a dynamism that is fluid, unceasing, and ever expanding.
The artist’s conscious journey from controlled figuration toward abstraction is, in essence, a record of transformation. The directing tension of the line, the sharp contrasts of color, and the gestural traces left in the texture turn each work not into a conclusion, but into a transitional moment. Çınar’s paintings are the visual echoes of an unending flow: movement that asserts itself not only in the body but within every element of the surface.
For this reason, his works are not simply paintings; they are an invitation for the collector to witness movement itself. Çınar renders dynamism not as a theme, but as a mode of existence embedded in the very nature of painting.
At Get Society, we celebrate Çınar’s approach of liberating movement rather than confining it. His works are not merely artworks, but enduring imprints of motion—embodiments of timeless energy that resonate within the collection.
Internet Explorer tarayıcısının 9.0 ve daha eski sürümlerini desteklememekteyiz. Web sitemizi doğru görüntüleyebilmek için tarayıcınızı güncelleyebilirsiniz, güncelleyemiyorsanız başka bir tarayıcıyı ücretsiz yükleyebilirsiniz.